Process

How I photograph architecture and interiors — calmly, intentionally, with natural light.

Foundation

Every project starts with light and intention

Every project begins long before the camera is lifted. It starts with understanding the space — its light, rhythm, and intention — and the vision behind it.We work calmly and collaboratively, guided by natural light and thoughtful composition. No forced styling, no artificial drama — just honest atmosphere and editorial clarity.

This page outlines what you can expect and how we create meaningful imagery together.

Steps

How the work unfolds, from planning to delivery

The process unfolds in deliberate phases, shaped by light and intention.Here’s how we approach discovery, preparation, and capture.

Discovery and planning

Before stepping into the space, we take time to understand:

– the design intention
– the story behind the project
– the atmosphere you want the images to convey
– your goals — portfolio, publication, awards, branding, investor reporting
– any styling considerations or architectural details to highlight

We also review:
– floor plans
– natural light orientation
– preferred perspectives
– reference imagery (optional)
– timeline and key deadlines

Light-First Approach

Every shoot is planned around natural daylight.
It shapes the schedule, the mood, and the atmosphere — becoming the foundation of each image.

Pre-shoot styling and preparation

Interiors look their best when styling is minimal, intentional and true to the design.
Before the shoot, we provide guidance on:
- light decluttering
- arranging key elements
- balancing textures and layers
- soft adjustments (folds, pillows, lines)
- where natural light will fall during the shoot

Our role is not to over-style, but to reveal what already exists.

Designers are welcome onsite — collaboration is always encouraged.

On-site photography / videography

When we enter a space, the first thing I listen to is the light.
Where it moves. How it softens. What it reveals.

My shooting style is: calm, soft, editorial, extremely intentional.
No harsh flashes, no heavy equipment, no rushing between angles.
Just the space, the light and the quiet rhythm of design.

I capture:
- wide architectural views
- room transitions
- materiality and textures
- key compositions
- intimate details
- natural-light moments throughout the day

If we film video:
- slow, cinematic motion
- natural flow through rooms
- atmospheric storytelling
- optional interviews / voiceover

Your space guides the rhythm — not the camera.

Editing & Post-Production

My editing approach is soft and restrained:
- clean lines
- true colors
- balanced highlights and shadows
- natural warmth
- gentle contrast
- atmospheric softness
- no artificial HDR or aggressive filters

Design integrity is the priority.
The space should feel exactly as it feels in real life —
just translated into editorial imagery.

Completion

From preparation to delivery and beyond

Delivery

You receive:
- a curated selection of final images
- web-ready + high-resolution formats
- an optional cinematic project film
- a delivery gallery that is clean, simple, easy to share
- optional publication-ready versions

Timeline:
Photos: 5–10 days
Video: 2–3 weeks
Faster delivery is available for urgent deadlines, submissions or launches.

Licensing & Usage Rights

Every project includes a clear usage license based on your needs:
- portfolio
- social media
- website
- presentations/proposals
- editorial publications
- awards
- multi-party licensing (architects + designers + builders + developers)

This keeps all collaborations legally clean and professionally consistent.

Collaboration Philosophy

I believe the relationship between photographer, architect and designer is creative synergy —
a shared moment of seeing the space in its best light.
You bring the intention.
I translate it into imagery.
Together we reveal the story behind the design.

Questions

Common questions about my approach, timeline, and how we work together.

How long does a shoot take?

Most projects run between three and eight hours, depending on the size of the space, the quality of natural light available, and how much detail you want captured. Larger projects or those requiring multiple rooms may take longer.

Do you only use natural light?

Yes. Natural light is the foundation of my work. Artificial lighting is only introduced when absolutely necessary, and even then, it remains subtle and supportive of the space's existing atmosphere.

Do I need to be present during the shoot?

Optional. Many designers prefer to join for styling adjustments — but it’s not required.

Can you help with publication submissions?

Yes. I provide guidance on credits, image curation and editorial standards.

Do you work outside Vancouver?

Yes. I photograph projects throughout British Columbia, including the Lower Mainland, Sea-to-Sky corridor, Vancouver Island, and Interior BC. Travel is built into my process.

Ready to talk?

Reach out if you have other questions about the process.